So this is a continuation of the Sarah/Weston Story. This is the first time they get together to work on the Romeo and Juliet project that they have to work on together. They did not choose to be partners. The teacher "randomly" grouped people, and they ended up together. I'm thinking about having the idea of "star-crossed lovers" as a running thread throughout the novel, but I feel like I don't know enough about Romeo and Juliet to do that successfully. This particular piece is written like a script. And on that note, it's purposely faded out at the end, like a scene in a play would, while the characters are still talking. If this is your first Sarah/Weston read, here's a quick rundown (which is impossible, so you'll just have to pick up on stuff)
I'm working on writing an experimental adolescent literature novel. Basically, I want to write a story about a boy and girl from opposite ends of the social spectrum falling in love. But I want to completely omit linear narration. Every piece is some sort of text. So far, I have an unapologetic note, a keyed response (keyed on a car), stream of consciousness, a diary entry, instant messaging (or facebook chat), texting, and here I have a script. Enjoy!
It's evening, about 7:15 pm. Sarah is already there wearing earbuds, hunched over a textbook and notebook, furiously scribbling notes, obviously engrossed in whatever she's studying. Her back is to the door/entrance. Weston is (fashionably) late, as usual. He quietly walks up behind her.
WESTON: (with his head over her shoulder) Whatcha listening to?
SARAH: (jumps a foot) God! You shouldn't scare people like that. (takes a deep breath, and goes back to writing) You're late.
WESTON: Sorry. I had some stuff to do.
SARAH: (without looking up) Yeah whatever. Let's get started.
WESTON: I'm gonna grab a coffee quick. (picks up her cup, shakes it, it's empty) You want a refill?
SARAH: (curtly) No I'm fine.
WESTON: Are you sure? It's no trouble, I mean your cup's empty and I—
SARAH: (annoyed) I said I'm fine! (Weston takes a step back) Anyway, I don't drink caffeine at night or I can't sleep. (keeps writing)
WESTON: Ok suit yourself. (goes up to the counter and orders from the barista he knows by name. Waits around with a happy-go-lucky cockyair, maybe whistles, then returns to the table with a gigantic sugary drink with so much whipped cream and syrup on top the lid doesn't even fit, possibly a doughnut or a cookie or something else sugary)
SARAH: (looks up for a second) Um, wow.
WESTON: Beautiful, isn't it?
SARAH: I was thinking more along the lines of death by coffee.
WESTON: So basically the best thing you've ever tasted. (takes a gulp)Amazing! Wanna try some?
SARAH: Nooo thank you
WESTON: Whatever you say. Ok (excited, rubs hands together), let's get down to business! Let's pick a scene.
SARAH: I think we should pick a topic first.
WESTON: Don't we need a scene to write on?
SARAH: (slightly exasperated) We're supposed to pick a dramatic element to focus on, then pick the scene we believe best showcases it, co-write a 10 page paper on it, and then act out all or a portion of the scene in front of the class. So it stands to reason that we should figure out what it is we need to look for in a scene first.
WESTON: Ok, but what if we watch a couple of performances of it, see which scene is most effective, and then decide why and write a paper on that and act it out?
SARAH: (fed up) Fine. Whatever. (slams book closed) We'll do it your way.
WESTON: Um, are you ok?
SARAH: Look, I'm sure you just as thrilled to be partners for this project as I am. We're not friends and you don't have to act all buddy-buddy with me just so I'll work hard, ok?
WESTON: (slightly confused) Uh…alright. Are you sure you're ok? I wasn't trying to act all buddy-buddy with you I genuinely wanted—
SARAH: (almost yelling now) We're not friends!!!
WESTON: (matching her volume) Why not?!
SARAH: I think you know very well why not.
WESTON: Well why don't you enlighten me anyway.
SARAH: (looks at him in surprise) You honestly have no idea what's going on here?
WESTON: No! Wanna let me in on the secret?
SARAH: (talks as she gets up to throw her cup away) I can't believe this. You really don't care about anybody but yourself.
WESTON: Hey that's not true.
SARAH: You have no idea how any of your actions affect anyone else.
WESTON: That's not true! If I was such a bad person why do I have so many friends?
SARAH: Does the word quarterback mean anything to you?
WESTON: I can't help that I'm good at football. And if people like that about me, that's their deal.
SARAH: Need I go on? Abercrombie.
WESTON: My mom works there. What's wrong with their clothes anyway?
SARAH: Nothing if you like soft porn. Ok fine, styling wax.
WESTON: So I like to do my hair. What's wrong with that?
SARAH: Old Spice.
WESTON: You know, for hating me, you sure know a lot about me.
SARAH: Oh come on, you people are a dime a dozen.
WESTON: What is so wrong with being popular? At least I have friends. Maybe you're the one with the problem. You're not exactly Miss Social Butterfly
SARAH: I have two good friends. That's all I need. I don't need an entourage to remind me that I'm worth something.
WESTON: Are you trying to imply something? I'll have you know I'm am a very worthwhile person. I have a lot of friends and talents and responsibilities like—
SARAH: When was the last time you helped someone else?
WESTON: (baffled) What?!
SARAH: When was the last time you did something out of the goodness of your heart, just to benefit somebody else with no strings attached, just because it's the right thing to do? (he opens his mouth) With no personal benefits? (he closes his mouth) That's what I thought.
(Pause. Weston sits and thinks for a minute, then gets an idea)
WESTON: You know I once dated a girl…
SARAH: (sarcastically) Oh this is gonna be good.
WESTON: No really, I dated this girl and I didn't really like her that much. But she liked me a lot. And she didn't have that many friends.
SARAH: Please tell me this isn't what I think it is.
WESTON: So we dated for awhile and eventually we broke up, but she got pretty popular through me. And after that she had more friends and was in the popular group and it was pretty nice for her.
SARAH: Well aren't you just Mr. Selfless?
WESTON: (smugly) She told me one day she owed her popularity to me.
SARAH: That is such a pathetic existence. You people honestly think you can just rule the—
WESTON: I don't see you out there changing the world, so before you just go and—
SARAH: I volunteer EVERY WEEK!
WESTON: With what? Criticizers anonymous? You been nothing but angry since I got here. You didn't even give me a chance. You know I don't have to be nice. I could just leave and let you do this whole project on your own. (stands up)
SARAH: How would you feel about failing English?
WESTON: (stops and stares at her )You wouldn't.
SARAH: This project is worth half our grade. Don't underestimate me. I would.
WESTON: (sighs, cautiously sits back down) ok let's get started
(lights begin to fade)
SARAH: Ok so first thing, I want to choose an element.
WESTON: And I wanna see a performance.
SARAH: Ok fine, lets watch a couple movies. This weekend?
WESTON: Sure. My house or yours.
SARAH: Mine is fine. Let's just focus on a couple of things, alright?
WESTON: Fine by me.
SARAH: And can you quit acting like you're so excited to work together? I mean seriously. Even if we were friends, nobody should act like this.
WESTON: Who says we're not friends?
SARAH: I do.
WESTON: Oh.